Chapter 13: Maria Emilia Masci, Apulian and Lucanian Red-Figure Pottery in 18th Century Collections

WF 151: Pesaro, Biblioteca Oliveriana, MS 294, p. 325. Drawing: lead pencil, sepia ink, ochre watercolor. Karlsruhe, Badisches Landesmuseum B 126, Apulian pelike attributed to the McDaniel Painter. Once in Venice, Museum Grimani, then in Heidelberg in the collection of Gerog Frederich Kreuzer. Courtesy of the Biblioteca Oliveriana.

WF 152: Pesaro, Biblioteca Oliveriana, MS 295, p. 443. Drawing by Carlo Pisarri: re pencil. Bologna, Museo Civico, PU 564, Apulian volute krater attributed to the Painter of Copenhagen 4223. Once in Bologna, in the collection of Luigi Ferdinando Marsili, donated to the Istituto delle Scienze e delle Arti of Bologna. Courtesy of the Biblioteca Oliveriana.

WF 153: Pesaro, Biblioteca Oliveriana, MS 294, p. 340. Drawing: sepia ink. Apulian pelike now lost. Assigned to the circle of the Varrese Painter. Once in Pisa in the Gallery of the Botanic Garden (Giardino dei Semplici). Courtesy of the Biblioteca Oliveriana.

WF 154: Pesaro, Biblioteca Oliveriana, MS 294, p. 375. Drawing by Bartolomeo Poli: sanguine. Vatican, Museo Gregoriano, 17961, Apulian bell krater attributed to the Lecce Painter. From the first collection of the Vatican Library (Pope Clemens XII). Courtesy of the Biblioteca Oliveriana.

WF 155: Pesaro, Biblioteca Oliveriana, MS 294, p. 355. Drawing by Angelo Giudacci: sepia ink colored with red and black watercolor. Bologna, Museo Civico, PU 531, Apulian amphora attributed to the Group of Vatican Z 16. Once in Rome in the collection of Monsignor Ludovico di Costanzo, then in the old collection of the University of Bologna. Courtesy of the Biblioteca Oliveriana.

WF 156: Pesaro, Biblioteca Oliveriana, MS 295, p. 415. Drawing by Francesco Vitale: red and black ink, white lead. Naples, Biblioteca dei Girolamini, 3. Apulian volute krater attributed to the Helmet Painter. Once in Naples in the collection of Giuseppe Valletta. Courtesy of the Biblioteca Oliveriana.

WF 157: Pesaro, Biblioteca Oliveriana, MS 295, p. 404. Drawing: red and black ink. Providence, Rhode Island School of Design 22.215, Apulian calyx krater attributed to the Painter of the Berlin Dancing Girl. Once in Brindisi in the collection of Pasquale Rossi, then in Naples, and later in London in the second collection of Sir William Hamilton, and then Deepdene in the collection of Sir Thomas Hope, and finally in the collection of Gustav Radeke. Courtesy of the Biblioteca Oliveriana.

WF 158: Pesaro, Biblioteca Oliveriana, MS 295, p. 413. Drawing: red and black ink. Paris, Louvre K 73, Apulian volute krater attributed to the Foggia Group. Once in Brindisi in the collection of Pasquale Rossi, then Paris, La Malmaison in the collection of the Empress Josephine, and later in the Durand collection. Courtesy of the Biblioteca Oliveriana.

WF 159: Pesaro, Biblioteca Oliveriana, MS 295, p.408. Drawing: red and black ink. Lucanian bell krater now lost, assigned to the worship of the Creusa and Dolon Painters. Once in Brindisi in the collection of Pasquale Rossi. Courtesy of the Biblioteca Oliveriana.

WF 160: Attributions of 141 vases belonging to 27 collections dated between 1680 and 1765.