The University of Cincinnati Classics Department is one of the most active and largest centers for the study of the Greek and Roman Antiquity in the United States. Eighteen full-time faculty members, four research associates, and four Rawson Visiting Scholars specialize in Classical philology, ancient history, and archaeology, including Greek prehistory. 

About thirty-five graduate students are in residence at any given time, while others spend a year or more abroad to study or conduct research. In the heart of the Department is the recently renovated Burnam Classical Library, the world's most comprehensive library for advanced research in Classics (with some 300,000 volumes). The department's Tytus Fellowships bring an additional nine to twelve researchers to the Department each year, in addition to many shorter-term visitors. About thirty undergraduate majors profit from the vibrant scholarly community, while an Outreach Program takes faculty and graduate students to more than 100 area schools each year. The department's lecture series, including those sponsored by the Archaeological Institute of America, attract audiences from the larger academic and lay community in the Cincinnati area. The Department edits Nestor, a bibliographic resource for Aegean Prehistory, and sponsors continuing series of publications for Pylos, Keos, and Troy. Faculty organize or participate in archaeological fieldwork in Greece at Pylos, Knossos, Isthmia, Anavlochos and the Athenian Agora, in Italy at Pompeii and Tharros in Sardinia, in Turkey at Gordion, and in Israel at Caesarea Maritima.

 

Contact

Department of Classics
410 Blegen Library
PO Box 210226
Cincinnati, Ohio 45221-0226
Phone | (513) 556-3050
Fax | (513) 556-4366
classics@uc.edu

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Calendar: Public Events
This paper examines a neglected episode in the reception of Lucretius by Seneca through the mediation of Neronian poetry, focusing on Seneca’s sole explicit quotation of Nero’s verse in the Naturales Quaestiones (QNat. 1.5.6-7). Set within a technical discussion of the rainbow, the quotation—likely drawn from Nero’s lost Troica—reveals a dense network of Lucretian, Epicurean, and Stoic intertexts. The paper argues that Seneca’s apparent praise of Nero’s poetic elegance conceals a complex strategy of doublespeak. Nero’s Lucretian imagery, deployed by a fictional adversarius to support a chromatic (rather than catoptric) explanation of the rainbow, aligns the emperor’s poetry with Epicurean meteorology and with an ultimately erroneous physical theory rejected by Stoicism. By situating this...

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