Qualifying Portfolio (for students admitted in 2025 or later) 

 
When: Fall of your second year. Everything uploaded by end of 15th week (exam week).
 
Where: Upload to Departmental Server:   https://docs.classics.uc.edu:6036 click on File Station to navigate to /groups/GradPortfolio/YOUR NAME
Please make sure your name appears in file names, and that the file name reflects the content: e.g., “Lynch CV”
 
What:
  •  Three written assignments arising from coursework at UC. Choose examples that represent your best work. At least two of the three must be from your program area.
    • Assignments should highlight your analytical skills, critical thinking, and ability to present evidence to support a scholarly argument.
    • There is no lower or higher page limit.
    • Research-based essays or papers are preferred, but if you do not have three examples, an exam essay with faculty comments may be submitted.
    • Uploaded the submitted version with faculty comments. If faculty provided separate comments, provide these.
    • Please include the class, instructor name, and assignment prompt.
    • Internal CV:
      • This is a regular CV with the addition of:
        • courses you have taken: their full name or theme, the professor, the topics of seminar papers/reports you did/grade you receive
        • jobs/teaching/service you have done for the department
        • summer activities: dates, place, director, subject (e.g., Bronze Age tomb)

  • A one-page essay reflecting on your academic and intellectual progress through the program.
    • Where can you see scholarly development?
    • Are there areas of interest that you are developing that you did not have before?
    • Considering your submitted written work, how would you revise in light of faculty feedback? (If relevant or applicable)
    • What challenges have you faced?
    • What are your achievements?
    • What skills/topics do you intend to focus on going forward?

  • [If you wrote an M.A. thesis at another institution, please include it as a single PDF]
Why: The faculty will evaluate your portfolio as evidence of your progress through the program. The faculty in your discipline will score your portfolio on the following basis:
 
  1. Exceeds expectations: papers demonstrate thorough knowledge of evidence, well-developed argument, exceptional command of research resources, and clear writing.
  2. Meets expectations: papers demonstrate knowledge of evidence, contain a structured argument, use common research resources, and clear writing.
  3. Does not meet expectations: papers show misunderstanding of evidence, unstructured argument, miss common research resources, and/or are not clearly written.
  4. Unacceptable: Student has not submitted all parts of the portfolio; papers are not complete or lack coherent structure and comprehension of the evidence.
It is also a time for you to reflect on your progress and establish future goals.
 
Outcomes:
  • Students who score a 1 or 2 on the portfolio may continue to the Ph.D. program. Note that an M.A. thesis may still be required or desired.
  • Students who score a 3 or 4, but wish to continue to the Ph.D., are required to write an M.A. thesis. These students should discuss with their Graduate Director whether they should take a terminal M.A. by exam instead.
griffin pylos
We are pleased to announce that to mark the transition of the Aegaeum series and the International Aegean Conference to the Department of Classics at the University of Cincinnati, the 21st Conference is being organized in honor of Professor Jack Davis and titled NESTOR: Celebrating the Work of Wise Jack Davis. XXIst International Aegean Conference/ XXIe rencontre égéenne internationale.
 
It will be held at the American School of Classical Studies at Athens, on June 8-11 2026, and the proceedings will be offered to Jack as a Festschrift. 
 
Given the particular purpose of the 21st Conference, the organizing committee, composed of Natalie Abell, Emily Egan, Florence Gaignerot-Driessen, Eleni Hatzaki, Shannon LaFayette Hogue, and Joanne Murphy, has invited 80 scholars among Jack's former students, close colleagues, and collaborators in the field to contribute with papers addressing one of his main areas of fieldwork and research (1. the Cyclades; 2. the Peloponnese; 3. Albania). However, the 22nd conference, provisionally scheduled in 2028, will resume the open call for papers system that was generally used for the Aegean conferences.
 

The preliminary program and abstracts are available (see below).

Registration for the conference, closing dinner, and museum visit is open until May 30th (details below).

The 21st International Aegean Conference is organized with the generous support of the Department of Classics at the University of Cincinnati, the Institute for Aegean Prehistory, the American School of Classical Studies at Athens, and the Irish Institute of Hellenic Studies at Athens.
 

Laffineurs
Robert and Marylène Laffineur in Cincinnati in March 2025

After almost 40 years of dedicated work, Professor Robert Laffineur has decided to step down from the organization of the International Aegean Conferences and the edition of the Aegaeum series.

At the end of the 20th Conference, HYDOR, held in June 2024 in Amsterdam, he announced the transition of the series and of the organization of the conferences to the Department of Classics at the University of Cincinnati.

In August 2024, an "Aegaeum committee" composed of Florence Gaignerot-Driessen (chair), Eleni Hatzaki, and Jack Davis (members) was created at Cincinnati to manage this transition and continue the work.

We had the chance to express our deep gratitude to Robert Laffineur for his trust, as well as our respect and admiration for his tremendous work at the occasion of the Aegean Celebration 2, held in Cincinnati in March 2025. During this event, his appointment as a Rawson Visiting Scholar was announced by Daniel Markovich, head of the Department of Classics.

Alison Fell, A.H.R.C Research Fellow, Middlesex University, London, U.K.

Alison Fell is a Scottish novelist and poet currently based in London, U.K. She has published 7 novels, 4 poetry collections and 3 anthologies of experimental fiction. She has been a Writing Fellow in Sydney, Australia, and at the University of East Anglia, University College London, Middlesex University and from September 2006 will be Royal Literary Fund Fellow at the Courtauld Institute of Art. She has read her work all over the U.K., and on British Council and publishers tours of Canada, the U.S., Australia, Germany, The Netherlands and Italy. Her literary archive was acquired by the National Library of Scotland in 2005.

Her novels cover a wide range of themes, from ‘The Pillow Boy of the Lady Onogoro’, set at the Heian Court of 11th century Japan, to ‘The Mistress of Lilliput’, a Swiftian satire featuring Mrs. Gulliver’s travels, and the prize-wining ‘Mer de Glace’, a modern tragedy on mountaineering themes set in the French Alps. Her most recent novel is ‘Tricks of the Light’, and her most recent poetry collection is ‘Lightyear’, which tracks the calendar changes of time and the elements in an exploration of the fundamental links between humans and nature.

‘Deciphering the Decipherers’

For the last three years I have held a Research Fellowship at Middlesex University, funded by the U.K. Arts and Humanities Research Council. During this time I have been researching and writing a novel around themes of decipherment. A major aspect of this work – and the one which brought me to PASP in the spring of 2005 – has been my attempt to decipher the brief and brilliant life of Alice E. Kober.

Before coming down to Austin I spent time in public archives in New York City, where I managed to uncover hitherto unknown details of Kober’s life and family circumstances, some of which were touching to say the least. The 1930 Census, for instance, shows the Kober family living in a block of 6 story tenements in the South Bronx, which housed 48 families in each block. Across the landing lived a family of Italian immigrants with 5 daughters and 2 sons – in no more than 2 rooms, one imagines! No wonder, then, that Alice developed superhuman powers of concentration. Another riveting document was the Passenger Manifest of the ‘Statendam’, on which the Kobers sailed from Europe in May 1906. This revealed that Katarina, Alice’s mother, must have been pregnant when she set out – so Alice was conceived in Hungary and born in Manhattan., a true child of the New World.

Research for a novelist is rather different from scholarly research, and while I have great admiration for Alice Kober’s contribution to Linear B scholarship, my search has necessarily focussed more on character, motivation, background, and any life-details that can be gleaned from records, correspondence, or personal reminiscences. At PASP Tom Palaima kindly gave me full access to all the Kober materials. I was able to see the famous ‘cigarette carton’ files in which Alice catalogued the L.B. signs and sign-groups, and even to watch Sue Trombley at work with a sable paintbrush, flicking the dried skeletons of silverfish from the fragile yellowed paper. I pored over her Hunter College reports – straight As in Maths, Greek, Latin and German, Ds in Gym: not a Jock, then – and pounced on visual descriptions in a personal memoir written by one of Kober’s ex-Brooklyn College students, Eva Brann. I also read Kober’s unpublished monograph on the element ‘Inth’ in Greek, a manuscript whose margins are packed with the noted comments of those scholars whose opinions Alice most prized – Johannes Sundwall, for instance, and John Franklin Daniel, editor of The American Journal of Archaeology, and mentor and friend to Alice. One of my aims in visiting PASP was to access Kober’s correspondence with Daniel. (My novelist’s nose, I expect, always seeking evidence of relationship). When the file – which had been mislaid for some years – turned up, among the items therein was an early student notebook from the University of Pennsylvania, which we couldn’t at first attribute, as both Kober and Daniel had connections with the University – Daniel was awarded his PhD on the Cypro-Minoan scripts in 1941, and Kober attended Professor Speiser’s courses in Old Persian and Akkadian that same summer.Finally Tom Palaima’s graphology skills pinned the handwriting down as Daniel’s.

Previous to my visit, I had acquired copies of Kober’s correspondence from the archives of the Guggenheim Foundation, and also from the U. of Pennsylvania Museum, where in 1948 J.F. Daniel was planning to set up a Minoan Script Research Centre, which Alice Kober was to direct. (Something which sadly never came to be, owing to Daniel’s sudden death in Turkey in the December of that year, at the age of 38.) Those letters have filled some sequential gaps in the PASP collection, just as the Daniel correspondence and other items from PASP have filled gaps in mine. All the materials – addresses, certificates, etc – unearthed in the New York archives are now documented at PASP, complete with microfilm roll-numbers. I hope this material will help other scholars and biographers, and contribute to the overall picture of Alice Kober and the forces that formed her, not just as a scholar, but as a woman.

Since PASP is so clearly an archive of international importance, I was dismayed to discover that these days University funding passes on by without a second glance, alighting graciously on Petrochemical Sciences or Information Technology. In the heart of Bush country, does Mycenology stand a chance? Perhaps, as Tom Palaima remarked – not entirely in jest – the only answer is a return to the Monastery system. Certainly what stays in my mind from that final Saturday at PASP is an image of the three of us beavering away, monkish, among the cramped shelves. The fledgeling Alice Kober Fan Club, gossiping about our girl as though she were still alive and kicking. It’s a club that deserves more members.

Alison Fell July 2006

Already this past summer for the entire month of May, 2008, Carlos Varias Garcia worked on the Mycenae material in PASP, in moving further along on what will be his definitive monograph on those texts.